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The show focuses on Dean's creative output over the past decade, with some forays into works from her earlier years. Also including the premiere of a new film by the artist.

The show Pope of Trash spans more than five decades of Waters' career in cinema, from his earliest subversive classics to his most recent tasteless works.

The exhibition will span more than seven decades of the artist's work, from her early experiments with conceptual art and performance, through film and music.

The video collage showing on Sin City's instantly-iconic Sphere is a tribute to the art of cinema, but also a critique of its violence and excess.

In this solo show, Estrela works with old printing plates, encouraging spectators to think about the “waning legacy of modernism” and our own interaction with machines.

This exhibition brings together videos from the collections of Neuer Berliner Kunstverein (n.b.k.) and Electronic Arts Intermix (EAI). The works on display reflect on the social, political, and cultural changes that have shaped the cities of Berlin and New York.

The exhibition, curated by Howie Chen, showcases the works of five artists from the catalog of video art distributor Electronic Arts Intermix.

This is the first time in the RA's 255-year history that a female artist has been given a retrospective. The exhibition charts Abramović's pioneering work across performance and video.

The exhibition, titled “Act as if you are a curator: an AI-generated exhibition,” represents a revolutionary approach to the curator's profession.