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Team Kinoki

Team Kinoki's Work

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Team Kinoki
A pale, sandy-colored exterior architectural structure with lamps hanging on the walls.

Apply now for the eighth annual SFP Grant. Open to independent filmmakers without restrictions on age, region or genre. Deadline: June 19, 2025.

Two palm trees seem from below, with the clear sky above them in the background.

Apply for the inaugural Pérez Art Museum Miami digital art commission, supporting work across Latin America and the Caribbean. Deadline: June 30, 2025.

A woman sitting on a bed, combing her long black hair forward over her face.

Contemplate a horizon of possibilities with Saodat Ismailova as she discusses her new performance piece about an ancient walnut forest in Kyrgyzstan.

A black and white film frame with technical markings, a cross in the center of a circle.

Film artist Christopher Harris discusses his subversive approach to manipulating celluloid, challenging representations of Black people and redefining the boundaries of experimental cinema.

A three-quarter inch U-matic video cassette with a colorful, hand-written label.

Visual Studies Workshop welcomes applications from both US-based and international artists working in photography, film or media art. Deadline: June 2, 2025.

A black and white image of a hand with sparks superimposed over it.

Read critic Neil Young's review of Ana Vaz's Meteoro at Vienna Secession, an exhibition of sublime beauty that proposes a counter-ethnography of European cities.

A large screen in a gallery with an image of a Black man wearing sunglasses.

Discover Karimah Ashadu's first US solo exhibition at Canal Projects, New York, featuring her video installation Machine Boys, winner of the Silver Lion at the Venice Biennale.

Resources  | May 02, 2025
A sepia-colored strip of celluloid film in multiple twists.

Rooted in the broader tradition of collage and montage, found footage represents a dialogue between filmmakers and history, media and cultural memory.

A collage featuring women in a factory, with fragments of newspaper text and hand-written text, and colorful hand-drawn patterns cascading from their heads and bodies.

Explore the intersection of art and politics with belit sağ, as they discuss how visual representations shape and are shaped by political violence, in this exclusive interview series on Kinoki.

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