exhibition
A review of Cosmos Cinema, the digital platform for moving image art that is part of the 14th Shanghai Biennale.
The exhibition highlights the fragile and ephemeral nature of humanity's relationship with Earth and effects of overconsumption and land development.
The series of exhibitions being held during the course of Singapore Art Week represent the largest manifestation of AI-generative art in Southeast Asia.
The show focuses on Dean's creative output over the past decade, with some forays into works from her earlier years. Also including the premiere of a new film by the artist.
Grouped under three distinct themes that ground Schneemann’s moving image work, the online exhibition also includes films and videos by other important artists that are in dialogue with Schneemann. Exhibition organized by EAI in collaboration with Carolee Schneemann Foundation.
The show Pope of Trash spans more than five decades of Waters' career in cinema, from his earliest subversive classics to his most recent tasteless works.
The exhibition will span more than seven decades of the artist's work, from her early experiments with conceptual art and performance, through film and music.
The symposium, organized by LI-MA, aims to show and discuss strategies for taking care of digital art. This year it takes place at two different locations: Nieuwe Instituut, Rotterdam and LI-MA, Amsterdam.
In this interview Vidokle and Brasiskis speak about Cosmism, curating as montage and the unique opportunities of organizing a show at the Power Station of Art in Shanghai.