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Arthur Jafa x 2, Black Power Tool Redacted

Reviewing the exhibitions BLACK POWER TOOL AND DIE TRYNIG at 52 Walker and ***** at Gladstone Gallery.

Michael O’Pray Prize 2024 open for applications

Organized by Film and Video Umbrella for new writing on innovation and experimentation in the moving image. The prize is open to all early-career writers based in the UK.

Wael Shawky has a film about Pompeii showing at Palazzo Grimani

The film, titled I Am Hymns of the New Temples, was a commission from the Archaeological Park of Pompeii. Shawky's exhibition is part of the Venice Biennale.

John Waters: Pope of Trash at the Academy Museum

Neil Young reviews a major exhibition dedicated to the long and controversial career of the iconoclast filmmaker. John Waters: Pope of Trash is on view at the Academy Museum in Los Angeles through August 4th, 2024.

Pallavi Paul has first solo exhibition at Gropius Bau

The artist's earlier moving image works, most recent cinematic productions and immersive spatial installations are displayed across six rooms at Gropius Bau in Berlin.

Collaborative Cataloging Japan to open exhibition on Japanese experimental cinema

The show is dedicated to Japanese artists who worked with moving images in the United States during the 1960s and 1970s. This project is in partnership with the Japan American Society of Greater Philadelphia.

Ryan Trecartin installation at Kiko Kostadinov flagship in Tokyo

Trecartin was invited to create the inaugural installation at the store. The work will unfold over time through a series of artistic interventions that involve film, objects and sculpture.

Museum of Contemporary Art Tokyo gives solo exhibition to Ho Tzu Nyen

The Singaporean artist is showing six film installations. His work addresses the geopolitical complexities that make up Southeast Asia.

Arthur Jafa installs a picture unit at 52 Walker

The show includes a site-specific installation, a new series of paintings and sculptures and a new film. 52 Walker is a project space in New York established by David Zwirner.

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