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This is an artistic collaboration between Taipei Fine Arts Museum and SculptureCenter, featuring a selection of works from the 13th Taipei Biennial.
The show features experimental works by female artists spanning the decades between 1960 and 1990.
The immersive video installation was co-commissioned by Canal Projects and the 14th Gwangju Biennale.
The exhibition highlights the fragile and ephemeral nature of humanity's relationship with Earth and effects of overconsumption and land development.
The series of exhibitions being held during the course of Singapore Art Week represent the largest manifestation of AI-generative art in Southeast Asia.
The award, established by M+ in Hong Kong, recognises important artistic practices in the Greater China region.
The show focuses on Dean's creative output over the past decade, with some forays into works from her earlier years. Also including the premiere of a new film by the artist.
The show Pope of Trash spans more than five decades of Waters' career in cinema, from his earliest subversive classics to his most recent tasteless works.
The exhibition will span more than seven decades of the artist's work, from her early experiments with conceptual art and performance, through film and music.